Well, that’s what I hope I’ve been doing!
Still no actual work on the rewrite, but I’ve gone through all of the first draft looking at what needs changing and what works. The bad news is- nearly everything needs changing, there’s a lot of work involved. The good news is- the love scenes worked, the black moment made me cry, and the happy ending made me smile. Please God the final version will do that for it’s readers too!
I’ve spent the last two days going right through Writing the Breakout Novel Workbook: Hands-on Help for Making Your Novel Stand Out and Succeed, workshopping the story. Twenty pages of notes later I have a deeper knowledge of the characters and their conflicts, and a load of ideas to power the rewrite. (And a fifty work pitch too!) I know how I want the completely new first three chapters to go, and I know the ending I have will work, with some tweaking. There’s a swampy middle bit I have not much idea about yet, so I’m hoping that will work out once I get the rewrite started…
I’ve also been reading as many stories as I can from different lines with similarities in the situation and the conflict, whether that’s the secret child, old lovers reuniting, or heroines who’ve been raped in the past. Not to copy other writers, but to see if how they handled it can spark any ideas, show me what I need to make sure I do to make it work.
Liz Fielding’s “Five Year Baby Secret” reminded me that the hero is not just going to be a little annoyed, he’s going to be angry as hell, majorly pissed off when he finds she’s kept his child from him. Donna Alward’s “One Dance With the Cowboy” showed me how reunited lovers will have that same sweet yearning for each other, despite what has come between them. Both those stories showed that the same issues that drove the couple apart in the past will remain unresolved now- and they can only reach their HEA by both dealing with the past issues, as well as their feelings about their separation.
No similarity to my current characters in any way, but a deeply emotional (three tissues needed!) and very hot Superromance- Sarah Mayberry’s “Home for the Holidays”. What was interesting there is that she has the same double BM/HEA I gave my characters- where it looks like things are resolving and they can be happy, then bang, something even bigger comes between them to push them apart. For her heroine it was something totally unexpected, while I hope mine still works even though the reader will know it’s coming.
I’ve just finished an old Presents- Jane Porter’s excellent “The Sheikh’s Virgin”, recommended by my crit group when I asked for stories with a heroine who had been raped. From this I’m getting the shame and yet paradoxical fierce courage of the survivor. My heroine has the shame and guilt, but she needs to show more of the tenacity, fight, and will for life that helped her get through something so devastating and soul destroying.
Now I have to say- enough of the procrastination. I still have more books to read, but it’s enough.
Tomorrow I start the rewrite. For real. No excuses.