Waiting for "The Call"

“Honey, it’s always crap. Every book I write is crap. It’s my job to fix the crap afterwards,” according to Nora Roberts. Well, I've got it half right. Still working on the "fixing it" part. "Trust your characters to be complex enough and to have enough emotional baggage. Force them to make hard choices." Advice from Michelle Styles that might help!

Post SYTYCW rejection update February 1, 2011

One of my critique partners Chelsea  just got a request for a full from Blaze for her So You Think You Can Write entry! Am squeefully dancing around the room for her!

I got over my poutiness pretty fast over the form rejection for mine. A girl’s gotta grieve, but the trick is to feel it deeply and fully, but not let it go on too long.  Truth is, what I sent in wasn’t very good. But I can console myself that I subbed it to the wrong line, and that’s why it got the R. That’s my story and I’m sticking to it! Well, that and the fact that the story needs to be approached completely differently. I got straight back on the horse, anyway, and if I had to use little mental tricks like that then so be it!

I’ve decided to let that story rest for now,  then come back to it later in the year. I’m currently in chapter 7, and I know some of what I did wrong. I wasn’t letting the story be what it needed to be. I wanted to sub it as a category romance, so I forced events into it that just didn’t fit – like making the hero appear as early as possible in chapter one. The more I write, the more I’m realising this isn’t a romance, it’s women’s fiction with a strong romantic element. It’s the heroine’s journey of self-discovery and emotional growth. Part of this is creating a damn good loving relationship, but she learns a lot of what she needs to allow this to happen from the female friends she makes when she allows herself to stay in one place long enough to be part of a community. Think Fried Green Tomatoes crossed with a hot SuperRomance and that’s kinda the idea! I’m feeling quietly excited about letting that one simmer on the backburner for a while and see what’s cooked up when I come back to it.

For February, I’m going back to the previous story, the one I got the personalised rejection with the two sentence gold nugget from Megan, the editorial assistant with Supers. The story is getting a radical makeover, even the title is new. Oh boy, my heroine has a goal, motivation, and strong stakes now! 95% if not all of my partial goes in the bin. A lot of the first draft of the rest of the book will also need to be scrapped too. It will be a real challenge to write, and the character arcs are still a teensy bit unclear to me, but if I can pull it off, it’s going to be good. I’m doing Shirley Jump’s Revisions can Be Fun workshop this month, so it’s the perfect chance to go back and see what I can do with this story. I’m hoping I’ll have an outline and at least a first draft of the new partial by the end of the month.

How’s everyone else doing in the post-SYTYCW week?

Hopefully there’s more idiot grins and happy dancing going on out there for people who got requests!

For those of us who got the rejection email, some people might be feeling stuck in the inevitable grieving after a rejection. We’re all going to take different lengths of time to process this.  I’ve had some practice this past year! Some things that help- do let yourself feel the anger and sadness. Don’t deny how you feel or pretend it doesn’t hurt- it does! Nurture yourself and be extra gentle with yourself. Remember, it doesn’t mean you suck or your writing sucks, just that there was something that didn’t quite work in your submission. Set yourself a time limit to move on so you don’t get stuck. Be willing to look at what could be changed in your story to strengthen it, or what other publisher it might be a better fit with. Donna Alward did a post on dealing with rejection (even multi-published authors get them) that you might find helpful.

Just don’t let this stop you. Believe in yourself and your writing.

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“So You Think You Can Write”- Yes, No, or Maybe? December 18, 2010

I subbed on Wednesday to the latest Harlequin writing contest, “So You Think You Can Write”, along with probably a thousand other aspiring romance writers.

Do I think I can write? Yes, obviously, or I wouldn’t have entered, but probably not well enough for it to count for anything.

I’m starting to wonder if I will ever get my writing to the point where it’s good enough for publication, if I shouldn’t just give up now and save myself the pain of bashing my head repeatedly against a brick wall, hoping I hit the magic brick that opens the secret passageway to publication. (Not my image, BTW, it’s one of my writing buddies Chelsea’s, but it’s so apt I borrowed it!) After all, for my three subs this year, I’ve had three more rejections to add to my list. Isn’t it time to stop trying?

Thinking that didn’t stop me deciding late on Monday night just as I was falling asleep that I would enter something in Harlequin’s So You Think You Can Write, closing date 11pm Wednesday my time. Especially when I saw that they didn’t expect that the story had to be completed to enter after all, only that if you were asked to sub more you would do it pdq. Problems- I had nothing remotely ready to sub, and I had a Christmas party after work on Wednesday that meant I wouldn’t get home until after 11. So whatever I entered had to be subbed before I slept on Tuesday night. One day to do a subbable chapter and synopsis.

I did it. My first chapter and synopsis went in at 3.30am on Wednesday morning, aimed at Blaze.

I’m proud I met the deadline, but am not convinced it was a wise thing to do.

This is Mason and Steph’s story,  the one I was working on when I got the rejection letter on my last Superromance submission, then stopped when I realised it had the exact same problems commented on in the letter, and then some new ones! Reactive, goal-less characters, drifting into the story and then buffeted around by events. And even worse, something I figured out for myself, a resolution at least partially triggered by something  external happening, not internal change in the characters!

Also, it started life as a Super, but then as I wrote it my reaction to the first chapter was “Whoa, this is waaaaay too steamy for Supers!”  I know Supers can be super sexy, but that’s sex in the context of a relationship, not just sex. Sex is clearly the way into the relationship for this couple, love comes later. The conflict and character arcs are far more Blaze too, if I’m understanding what Blaze needs right (a focus on the heroine’s emotional journey to being able to commit to this relationship). I’m kinda worried it will fall between the two lines. Not sexy enough for Blaze, because even though there’s lots of lusting and sexual tension, they don’t go all the way until half-way through the story; but not right for Supers either.

Oh well, I rewrote the first chapter, and came up with a new synopsis that I hope fixed the worst problems of reactive characters and a weak resolution. Can’t see what can be done about the lust,all those pebbling nipples and bulging crotches, will just have to hope it’s a fit for Blaze and not too cliched! 

But even if I got those obvious problems right, no doubt there’s a hundred other things wrong with the chapter and synopsis. There’s no way something thrown together in less than a day is going to be any good. I hit that send button anyway, just to have something else out there.

The thing is, I’ve known about this subbing opportunity for nearly six weeks. Yet once again I left it to the last minute to start working on my submission? This is becoming a pattern now. I did it for the Medical Fast-Track, I did it for New Voices, and now I’ve done it again for SYTYCW. Why did I do it to myself again, a rush job entry, when I swore not to after the last time? I gotta face it, no matter how well I may or may not write, something thrown together on the last day before entries close is not going to be my best work. Aren’t I self-sabotaging myself here, setting up for failure?

I think I am. There are positives to doing it this way, which is no doubt why I do it. When I get a rejection, being able to console myself with “Well of course I got an R, it wasn’t my best work, it was thrown together in a day,” helps take some of the sting out. It also gets me over the fear and anxiety about subbing at all. I don’t have time to think and worry about it when I give myself twelve hours writing time to pull together a chapter and long synopsis. It got me out of the stuckness and uncertainty of what to do next that I felt after the rejection.

I had good reasons for doing it in such a rush. When I looked at the R and what I could learn from it, I straight away saw what the letter was getting at, and how I could fix it. But then I couldn’t decide whether to start straight into rewriting the rejected story, whether to rework the story I was writing at the time, or whether to start over completely with the new story idea.  The new story seemed the best option, so I started working it up, looking at the characters and their conflicts.  I’d read somewhere that SYTYCW required that the entrants had the full story completed, so no way was that possible. I just played around with the new story, without any deadline pressure. My starting point was an image I had of a man and a woman stuck in a lift together and neither know who the other is, then later they find out they are business rivals. I set up their goals, motivations, and conflicts. It looked like it should work, but somehow I didn’t feel right about it, it just didn’t seem to be coming together. Also, the characters and the plot felt very Modern Heat, and I’m not sure I can manage the right level of sass and banter for that line, especially now it’s changing to Riva in the UK.

I had a startling realisation- I wasn’t writing character driven stories like I thought I was! I started off with a few set piece scenes that I could visualise clearly, built a plot around that, then thought up the characters who could slot into the story. Arrgghh! I recognised I’d done this with most of my stories so far. No wonder it wasn’t working, especially with this story. Basically, I was trying to shove together two separate stories that didn’t fit at all! I had managed to create good strong characters, but they didn’t work with the pretty scenes I wanted. Either the pretty scenes had to go, or the characters did, attached though I was to them. In this case, the scenes could work well in a Blaze, with different characters, but I had no idea who they might be. I started writing the Modern Heat/ Presents Lite type story, but only got a few pages in when I saw on a SYTYCW reminder post that they didn’t require that the story entered be complete after all.

Yippee, I could sub after all, why not have a go?

No way I’d get a first chapter and synopsis for this new story done in time, and it wasn’t what I wanted to sub anyway. This was a good chance to email submit to the North American office instead of messing with posting hard copy, so no point sending something targeted at a London based line where I could do an email sub anytime. The changes needed for the rejected Super were too big to do in the time I had, and I wanted to sub something different, not just keep subbing and resubbing the same story. The only option left was to rework the previous WiP, the Super that wanted to be a Blaze. A lot of the first chapter could stand as it was, with a bit of tweaking. The thing that was starting from scratch was the synopsis. I had a bullet point list of possible events, but that would make a very bad synopsis.

I had some new insights that seemed good about the characters, and made some more changes in the set-up that to me seemed to help the heroine in particular to act and decide in ways that were more consistent and authentic to her personality. I made sure they had goals, and made sure their relationship blocks were clearly stated in the first chapter. (Maybe too clearly? Did I reveal too much too soon, and then bash the reader over the head with it just to make sure she got it?) In the synopsis, I tried to keep the focus on emotional change and growth and not just a series of events, and hopefully got across that the resolution was not solely due to the big external event that happens at the three-quarter mark. Or as well as I could with only twelve hours writing time to do it in!

Without really even reading it back properly, I hit send. So at least I’m subbing, and doing it so fast gives me a built in defence mechanism for the inevitable rejection.

But the inevitable rejection is why it’s self-sabotage. Yes, I have some built in self-protection against the pain, but I’m also setting up in advance that the pain will happen by sending off sub-standard work. I have loads of good excuses for doing it this way (didn’t it just take me over a thousand words to tell you them all!), but it’s still a dumb way to do things.

Maybe it would have been a far wiser choice to wait until I had a good partial, well thought out, polished, and truly ready to go, subbed via the usual route. Wiser, but far more scary. Because then if I get a rejection, like on my Superromance partial, I don’t have my emotional safety net to stop me plummeting to earth with a messy splat. I can’t say “I could have written it better but I did it in a hurry to meet the deadline.” I’d have to drop those “woulda if I coulda” justifications for subbing bad writing, weak characters, insipid and unbelievable conflict, a story that didn’t fit the line. I’d have to stop kidding myself, and deal with the pain of my writing just plain not being good enough. I’m maybe cheating myself out of making it a better quality learning experience, too.

The truth is, there is no magic brick in that wall we’re bashing our heads against. It’s not a secret passageway from unpubbed to pubbed that I need. It’s the insight to see how I can improve my writing with each story I start, and the persistence to keep working at it. But to really keep working at it, not merely pretend I am, with these half-baked contest entries and my crappy excuses.